We invite you to attend any of the upcoming gallery shows, receptions, and talks listed. Receive email notices of gallery openings by subscribing to our announcement list.
In this body of work, Shults focuses on the dynamic between the patriarchy and feminism. His figures are represented as idealized, revered, empowered, feared: an exploration into our current culture as a whole as well as the artist’s role as a white male figurative painter within it.preview show
Opening reception on Saturday, March 2 from 4 to 7pm
Artist Talk at 4pm Saturday, March 2
Chapin’s large scale works reference her Southern upbringing and the conflicted nostalgia surrounding the gentility and graciousness of the South. Chapin views much of this culture as made possible largely by graceless and dark systems. This obfuscation of ugliness and the worship of appearance is the theme that runs throughout her new body of work. Using the idea of lace as a metaphor for this experience and referencing historical religious painting, she explores beauty as safety for both the oppressed and the worshiped and idealized. Halos of fabric, acrylic and neon surround Chapin’s paintings. Some of the pieces are stuffed like giant decorative pillows, epitomizing the comfort of beauty. With these works, Chapin has exposed Southern portraiture as a pre-Instagram status symbol and examines the pleasure and willful ignorance derived within it.
A native of Mississippi, Chapin was trained at Parsons School of Design, Cleveland Institute of Art and The University of Virginia. She lives and maintains a studio in Austin, Texas.