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Jen Garrido

click on any image for details

Fizz

Fizz •

Folded Silk

Folded Silk

Everything Seems to Work When You Stop Scrambling

Everything Seems to Work When You Stop Scrambling

Untitled

Untitled •

Tamp It Down or Chase After It

Tamp It Down or Chase After It •

Recognizing How Pieces Fit Together

Recognizing How Pieces Fit Together •

Name the Game

Name the Game

Marie Louie

Marie Louie

Buddy One

Buddy One

Buddy Two

Buddy Two

Beyond the Great Waters- 2

Beyond the Great Waters- 2

Summer Uniform on Repeat

Summer Uniform on Repeat •

Land Studies- 1

Land Studies- 1

Land Studies- 2

Land Studies- 2

Earthtones 1022-1

Earthtones 1022-1

Earthtones 1022-2

Earthtones 1022-2

Earthtones-A4I

Earthtones-A4I •

Earthtones-A4F

Earthtones-A4F •

Warm Slate 1

Warm Slate 1 •

Botanical 9

Botanical 9

Botanical 10

Botanical 10

Botanical 11

Botanical 11

Botanical 12

Botanical 12

Botanical 13

Botanical 13

Botanical 14

Botanical 14

Botanical 15

Botanical 15

Botanical 16

Botanical 16

Fizz

Fizz, 2025
mixed media on canvas, 48 x 40 inches, sold

Folded Silk

Folded Silk, 2025
mixed media on canvas, 60 x 50 inches, $7500

Everything Seems to Work When You Stop Scrambling

Everything Seems to Work When You Stop Scrambling, 2024
mixed media on canvas, 48 x 40 inches, $5500

Untitled

Untitled, 2024
mixed media on canvas, 60 x 50 inches, sold

Tamp It Down or Chase After It

Tamp It Down or Chase After It, 2024
mixed media on canvas, 70 x 64 inches, sold

Recognizing How Pieces Fit Together

Recognizing How Pieces Fit Together, 2024
mixed media on canvas, 48 x 40 inches, sold

Name the Game

Name the Game, 2024
mixed media on canvas, 40 x 36 inches, $4200

Marie Louie

Marie Louie, 2024
mixed media on canvas, 50 x 48 inches, $6500

Buddy One

Buddy One, 2024
mixed media on canvas, 52 x 42 inches, $6000

Buddy Two

Buddy Two, 2024
mixed media on canvas, 52 x 42 inches, $6000

Beyond the Great Waters- 2

Beyond the Great Waters- 2, 2024
mixed media on canvas, 52 x 42 inches, $6000

Summer Uniform on Repeat

Summer Uniform on Repeat, 2022
acrylic on canvas, 52 x 48 inches, sold

Land Studies- 1

Land Studies- 1, 2023
oil on linen, 24 x 20 inches, $2000

Land Studies- 2

Land Studies- 2, 2023
oil on linen, 24 x 20 inches, $2000

Earthtones 1022-1

Earthtones 1022-1, 2020
mixed media on paper, 30 x 29 inches unframed, $2500

Earthtones 1022-2

Earthtones 1022-2, 2022
mixed media on paper, 29 x 30 inches unframed, $2500

Earthtones-A4I

Earthtones-A4I, 2022
mixed media on paper, 22 x 19 inches, sold

Earthtones-A4F

Earthtones-A4F, 2022
mixed media on paper, 26 x 25 inches, 32 x 31 framed, sold

Warm Slate 1

Warm Slate 1, 2016
mixed media on paper, 40 x 31 inches, 45 x 36 inches framed, sold

Botanical 9

Botanical 9, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 10

Botanical 10, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 11

Botanical 11, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 12

Botanical 12, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 13

Botanical 13, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 14

Botanical 14, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 15

Botanical 15, 2024
mixed media on paper, 16 x 12 inches unframed, $750

Botanical 16

Botanical 16, 2024
mixed media on paper, 16 x 12 inches unframed, $750

About the artist...

Jen Garrido

Watch a video of Jen Garrido's April 2024 solo show 'Shapes That Listen' here.

Listen to Jen speak about her 2022 show in this exhibition video.

Listen to Jen speak about her 2020 show in this exhibition video.

Take a virtual tour of the 2017 show here.

My painting practice is guided by a delicate balance of choice and process. I begin each piece with an inner dialogue made up of gestures, marks, color relationships, and compositional tendencies I return to. From there, the work evolves through layering, editing, covering, and revision. Each painting becomes a space for negotiation between clarity and disruption, structure and spontaneity.

A vital part of my current practice is the ongoing exchange between my fine art identity and my alter ego, Jenny Pennywood. Jenny began in 2008 as a practical solution, but quickly became a container for rhythm, pattern, color, and experimentation. She allowed me to step sideways from the discomfort I once felt in the fine art space. Jen is grounded and analytical; Jenny is expansive and intuitive. Their dialogue continues to shape the work.

 

As my life and practice have evolved, I’ve become more aware of how much my earlier painting was shaped by constraint. I had limited time in the studio, the pace of my business was demanding, and I felt constant pressure to keep producing. The work was often quick and direct because it had to be. Now, with more time and space, the work is shifting. There’s more complexity, more intention, and more reflection.

Recently, this shift has taken on a new form through the introduction of cut paper collage—shaped, painted pieces that extend beyond the edges of the canvas. These works break apart the picture plane and explore painting as object, pattern, rhythm, and spatial play. They have become a crucial part of the conversation, deepening the language of the work and offering a new kind of freedom and immediacy.

For years, my process helped me organize and contain my experiences and, in some ways, to hide within them. However, this new body of work is about integration and a coming-togetherness.

Each painting becomes a container, holding both repetition and change, intention and openness. That’s the space I want to inhabit now: where the work reflects the process, and the process reflects the life.

Visit artist's website - www.jengarrido.com

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