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Hildi Malcolm

click on any image for details

Hyperbloom

Hyperbloom

Tiger Lily

Tiger Lily

Rabid- Multi

Rabid- Multi

Interstellar Caterpillar

Interstellar Caterpillar

Ultraviolet

Ultraviolet •

Wavelength

Wavelength •

Simple Concenter

Simple Concenter •

Rabid

Rabid •

Surge

Surge •

Preternatural Perennial

Preternatural Perennial •

Preternatural Arrangement

Preternatural Arrangement •

Hyperbloom

Hyperbloom, 2026
acrylic, metal, nylon cord, acrylic yarn, mirrored acrylic sheeting on canvas, 48 x 48 inches, $7000

Tiger Lily

Tiger Lily, 2026
acrylic paint, metal, nylon cord, acrylic yarn, acrylic sheeting on canvas, 48 x 36 inches, $5400

Rabid- Multi

Rabid- Multi, 2025
acrylic, metal, nylon cord, acrylic yarn, acrylic sheeting on canvas, 36 x 36 inches, $4000

Interstellar Caterpillar

Interstellar Caterpillar, 2023
acrylic, metal, cork, nylon cord, acrylic yarn, mirrored acrylic sheeting, polyester film on canvas, 60 x 48 inches, $9000

Ultraviolet

Ultraviolet, 2025
acrylic, metal, cork, nylon cord, acrylic yarn, mirrored acrylic sheeting, polyester film on canvas, 48 x 36 inches, sold

Wavelength

Wavelength, 2024
acrylic, metal, nylon cord, acrylic yarn, mirrored acrylic sheeting on canvas, 48x48 inches, sold

Simple Concenter

Simple Concenter, 2019
acrylic, metal, nylon cord, acrylic yarn, cotton thread on canvas, 36 x 36 inches, sold

Rabid

Rabid, 2023
acrylic paint, metal, nylon cord, acrylic yarn, acrylic sheeting on canvas, 36 x 36 inches, sold

Surge

Surge, 2023
acrylic paint, metal, nylon cord, mirrored and translucent acrylic sheeting on canvas, 40 x 30 inches, sold

Preternatural Perennial

Preternatural Perennial, 2019
acrylic, charcoal, metal, cork, nylon cord, acrylic yarn, polyester film on canvas, 48 x 48 inches, sold

Preternatural Arrangement

Preternatural Arrangement, 2019
acrylic, metal, cork, nylon cord, acrylic yarn on canvas, 48 x 48 inches, sold

About the artist...

Hildi Malcolm

My work seeks to reconcile the displacement of familiar forms and subjects by modernity and its prevalent technological permutations. Organic forms and traditional techniques are confronted with incorporeal influences that are represented as mechanical, anomalous and disconnected.

Grommet and cord replace shape and line to manifest the tension between these dichotomies: puncturing a somewhat pristinely painted, geometric surface and then suturing the wound with soft, rounded lines of acrylic yarn. Repeating these layers of severed and restored connection create a remedial grid-form onto which I build. I intimate the undercurrent of a pulsing baseline and exploit its unifying qualities.

Informed by the canvases of Philip Guston, Euan Uglow and Piet Mondrian; Georgia O’Keeffe’s, ‘Sky above Clouds IV’ and Vincent Van Goghs’, ‘Sunflowers’; the agitative or optimistic effect of their colors and arguably loose adherence to form. Inspired by primitive quilting, ancient tapestries, ticker tape, shimmering circuit boards and the affects of chimeric DNA in my own home. Investigating and probing the juncture of these interests, at this moment in time, propels me to expose their complex and visceral dissonances.

Hildi Malcolm was born in 1978 in White Rock, British Columbia, Canada. She received her BFA from Alberta University of the Arts in 2003. She currently lives and works in Lakeway, Texas.

 

Visit artist's website - hildimalcolm.com

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