Dayna Thacker

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<b>Theory of Silent Repetition</b><br>Hand-cut paper collage, 13x9.5 inches<br><i>sold</i>
Theory of Silent Repetition

<b>Theory of Birdsong</b><br>Hand-cut paper collage, 8x6 inches<br>$650
Theory of Birdsong

<b>Theory of Endurance</b>, 2014<br>Hand-cut paper collage, 8x6 inches<br>$650
Theory of Endurance

<b>Theory of Vertigo</b>, 2014<br>Hand-cut paper collage, 8x6 inches<br>$650
Theory of Vertigo

<b>Portrait Twelve (Honeybee)</b>, 2009<br>collaged paper, graphite, pastel on panel, 28x22 inches<br>$1800
Portrait Twelve (Honeybee)

<b>He constructs his speech</b>, 2010<br>collaged paper, graphite, pastel on panel, 22x33 inches<br>$1900
He constructs his speech

<b>Nothing. Never Mind.</b>, 2010<br>Collaged paper, graphite, pastel on paper on panel, 29x27 inches<br>$2100
Nothing. Never Mind.

<b>It's influence is unlimited</b>, 2010<br>Collaged paper, graphite, pastel on paper on panel, 19x32 inches<br><i>sold</i>
It's influence is unlimited

<b>His roots of course were here</b>, 2010<br>Collaged paper, graphite, pastel on paper on panel, 22x36 inches<br><i>sold</i>
His roots of course were here

<b>River deep, sing me to sleep</b>, 2011<br>Collaged paper, graphite & pastel on paper, 11.5x15 inches<br><i>sold</i>
River deep, sing me to sleep

The Structure of Accumulation series was influenced by several sources, from religious art of the past, to recent scientific discoveries. The first is the ancient form of Buddhist mandalas, which use simplified floor plans as metaphors for the structure of the human soul. The Structure series proposes that the modern soul would reside in a somewhat less well-proportioned structure than those represented by the mandalas. Supposing our psychological/spiritual selves are formed by what we think – in the way our bodies are composed of what we eat – modern-day souls are made not only of responsibilities shouldered, love shared, curiosities and daydreams, but also of the immense amount of information we absorb, the stress we cope with, the frustration we repress, and our pervasive multi-tasking habits. Existing in a spiritual space of manipulated perspective similar to that of Medieval religious paintings, the buildings in the Structure series show that the architectural versions of our modern selves feature some strong basic forms, but there are also dark, disturbing rooms in the basement, stairs that lead nowhere, rickety support structures that could fall at any moment, and odd rooms added to the original building in order to accommodate new ventures. The ‘building materials’ are gathered from the never-ending stream of input we encounter daily, both good and bad.

A graduate of the University of Tennessee, Knoxville, Dayna Thacker now lives and works in Atlanta, Georgia. She was awarded a studio space at the Atlanta Contemporary Art Center for 2008-2013; she was a finalist for the Forward Arts Foundation 2010 Emerging Artist Award; and her work was featured in the 2009 Southern issue of New American Paintings. Thacker’s 2010 solo show was given a glowing review in the September/October 2010 issue of Art Papers magazine.

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Dayna Thacker